The Questions: Taylor Stanley

taylorIt is interesting to say that I have known people from college for more than eight years now. Time definitely flies and I feel that the black alumni of the University of Georgia tends to hold on to those bonds dearly. Even if we were not close in undergrad, there is still the special relationship of having graduated from a school with the commonality of a unique experience. My first memory of Taylor is her voice, a booming, assured voice that is not afraid to speak for the things she is passionate about. Taylor, granddaughter of Andrew Young, never name drops her familial ties. She instead, continues its legacy through her voice and passion for black history, people and civil rights. Taylor was gracious enough to let me pick her brain, and I can't thank her enough. Name: Taylor StanleyHometown: Washington, DCAge: 26Age You First Fell in Love: 22Love Is: Sacrifice. You would give anything for that person. You can’t just wake up and decide you’re in love with someone. It hits you. You lose yourself in that person. It’s not logical. It’s spiritual. It’s permanent.What examples of relationships did you have growing up? My parents were married until I was 19 but I knew it wasn’t a happy one. I grew up in a family of public servants. We love our families but our primary responsibility was the community. My dad was a pastor of the church and so we all had to play our role. But it was the same kind of love my mom knew as a child. Her parents were together and happy but her dad was always on the road serving the community. There’s a superhero complex there. Often times when I was growing up, my dad was so emotionally spent after serving his congregation that sometimes there wasn’t any affection left over. It was rough but it’s a sacrifice. I’ve always kind of understood that.It’s impacted my life because I know that I tend to like emotionally unavailable men with a savior complex. But other times I tend to be drawn to projects; a man that I can work on and build up to become something. I latch on to redeemable qualities and I try to build upon those. But to what end? I needed to latch onto my OWN redeemable qualities and build upon those. Mostly, I’m scared of settling. Like I said, obvious and spoken love was reserved for the congregation and the community. So when someone shows me affection or attention I either latch on or don’t believe them. But when I take to it, I take to it. It’s blinding. It’s scary. I love fast and I love hard. I’m working on it. My mom does the same thing and she scares me emotionally.Do you have any songs that remind you of an old lover? Grenade by Bruno Mars. I loved him intensely and EVERYBODY knew but I always felt like something was off. I was making decisions about my life around him. I literally lost myself in the worst way possible. But I knew in my heart he wasn’t doing the same. He just didn’t know what he wanted and part of me knew that. But EVERY TIME this song came on, it reminded me of him. It became so real that the line that I remember most clearly was, “Yes I would die for you baby, but you won’t do the same.” But we always had songs for each other. After we ended it he called me once to tell me that Bruno Mars “When I Was Your Man” came on and it made him think about me. I don’t know why Bruno Mars was our go to person. The FIRST time we ended it I remember driving to his apartment and Lauryn Hill’s “Ex-Factor” came on and I knew that it wasn’t meant to be but we got back together and ended it again and again and again. We still love each other but we’re never going to be together again. NEVER.Does race matter to you in your relationships? My junior and senior prom dates were white. When I was in high school, my parents sat me down once and asked me if I ever liked black guys. I told them that since they sent me to a majority white all girl’s school in the suburbs, my options for black men were slim pickens except for the boys school down the street. But now, I go back and forth on this one. As an adult I’ve actually been encouraged by family to consider dating white men and I’m not opposed to it but I feel like there are a few barriers. For one, white guys don’t approach me that often and when they do it’s often a fetish type of thing. Second, my laundry list for qualifications of a white boyfriend are long. He has to be understanding of racial issues in America but I don’t want him to feel like he has to PROVE that he’s understanding.Were you raised in a religious household?I was a preacher’s kid but my mom also worked at Planned Parenthood when I was growing up. Both of my parents grew up preacher’s kids. I wasn’t one of the GOOD preacher’s kids. I would say on a scale of one to ten, one being good and ten being bad, I was a STRONG 7. But I kept my virginity until college. But there was never really a conversation with either of my parents about religion and sex. I DO however want somebody who believes in Jesus. I want to be better at being a Christian but I also want somebody who will go on that journey with me. The last guy I was with wasn’t willing to do that.What does being black mean to you?It’s being part of something bigger than yourself. I remember in college when I realized that when black people talk about history and contributions blacks have made we always use “we.” I didn’t notice that about other cultures. It’s like we claim our history from the time of Adam to now. It’s always “WE”. WE were building universities in Timbuktu, WE died on the way over here on slave ships, WE walked across the Edmond Pettus Bridge and WE are being shot in the street. It’s a collective. I want it to be a more diasporic experience but I think that’s going to come soon. 

Sample Sunday: Hello, It's Me

toddrundgrenSong: Hello, It's MeArtist: Todd RundgrenAlbum: Something/AnythingReleased: 1972Writer: Todd RundgrenSampled By: The Isley Brothers, Live it Up, 1974[audio http://blackloveproject.files.wordpress.com/2014/04/04-hello-its-me.mp3]"Hello, it's me. I've thought about us for a long, long time". Todd Rundgren phrased this line perfectly. If there's one thing I love about musicians, it is their innate ability to expose the minds and feelings of their listeners. It is the reason we all have a favorite musician; they are the one person who is able to musically create the inner workings of our souls. Love and music are two things that transcend all race, gender and economic lines. They are two things in life that reach us all on a human level, outside of the social constructs within which we live. Which adds to another reason why I love samples; they are written and covered by artists so different in background and privilege, but whose commonality is founded on art and love.It is a valiant effort to love someone. There are so many risks involved with being responsible for someone else's heart, as they are yours. Alfred Lord Tennyson wrote, "Tis better to have loved and lost than never to have loved at all.", and how true that is. How many times have you fondly reminisced about loves that did not last? No matter how bitter the end, you hold on to certain memories of the sweet. Even after the relationship has ended and the feelings have settled, there is a remaining connection to that person. An old friend, who for a while knew all of you and you knew their bones, too. That once shared intimacy is the silver lining to many a sad love story. No matter how short or brutal it becomes, love usually begins with a very beautiful spark. It is that first spark that moves people to take another risk, which is to love again.I really love this song. I was fairly young when I first heard the Isley Brothers' version and it always struck me as a bittersweet and melancholic song. A feeling that occurs during a breakup when you come to the realization that it's just not going to work.

I've thought about us for a long, long time/Maybe I think too much, but something's wrong/There's something here that doesn't last too long

There does not need to be a particular reason why things end, there does not need to be some horrific event that tears two people apart. Sometimes time is all that is needed to see that you're not meant to be together. The intense flame of love, that first spark, gets a little lower. You may still love that person, but not in the same manner that made the relationship worthwhile. And the only hope to salvage the relationship is to release each other.

It's important to me/That you know you are free/Cause I never want to make you change for me

Sample Sunday: One Step Ahead

Aretha, by Hank Parker (1965)Song: One Step AheadArtist: Aretha FranklinWriter: Eddie Snyder and Charles SingletonReleased: Released as a single in 1965Sampled By: Mos Def, Ms. Fat Booty, Black on Both Sides, 1998[audio http://blackloveproject.files.wordpress.com/2014/01/03-one-step-ahead.mp3]Most of us have experienced the full cycle of a romantic relationship. You will meet a stranger; at the supermarket in aisle six, or while pumping gas or sometimes even at the God forsaken club, as described in Ms. Fat Booty. This stranger will have an inexplicable pull on you. Perhaps something superficial,

Ass so fat that you can see it from the front

or sometimes it is their pure energy that attracts you. Whatever the reason, this stranger will become a lover. You will become very important to each other. Days and weeks and months will pass and you will become intimate with this person; learning the things that make them hiss with pleasure, their history, the things that are important to them, their dreams and fears. They too, will learn every corner of you.

Weeks of dating, late night conversation/In the crib heart racing trying to be cool and patient/. . .Man I smashed it like an Idaho potato

Then comes love, or a fast growing lust.

Three months, she call I feel I'm running a fever/Six months, I'm telling her I desperately need her/Nine months, blue light symptoms when shorty's not around/I need more than to knock it down/I'm really trying to lock it down

One day, everything will be different. There will be a small catalyst that will change how you view them. Maybe you start to notice that they never say thank you or that they do not share the same goals or that they do not love you as much as you love them. That is the day that they become a stranger again. Isn't that how it works, sometimes? We meet a stranger who we learn, only for them to become strangers again. Both parties are guilty of finally showing parts of themselves they'd kept hidden under layers of sweet words and new love. New love is a beautiful thing, but it is blind. If it is a love meant to last, the concept of loving a stranger is wonderful, as you continuously discover something new about your partner.Ms. Fat Booty is a perfect three minute and forty-four second example of this very thing. Mos Def (Yasiin Bey) is such a great storyteller and creates vivid scenes of the stranger-lover-stranger cycle.I love that Mos Def (Yasiin Bey) chose this song, as he created a prequel to Aretha's 1965 single. One Step Ahead is a song that shows the aftermath of an ended love. When you are going through the motions of leaving a relationship, it is not often a clean break. For most of us, there will be months and sometimes years where we go back and forth between loving and not loving them. There will be days when you will take six steps ahead only to hear them call your name and take eight steps back.

One step is all I have to take/Backwards to be the same ole fool for you/I used to be/I'm only one step ahead of your arms/One kiss away from your sweet lips/I know I can't afford to stop/For one moment-

What I like the most about Mos Def (Yasiin Bey) sampling One Step Ahead is that he created a continuation of its meaning. A good sample is one where the original is looped in as a backdrop, but becomes the nucleus of the song, the essence and meaning never lost.

Sample Sunday: Crazy Love

moondancelpcoverSong: Crazy LoveArtist: Van MorrisonAlbum: MoondanceWriter: Van MorrisonReleased: 1970Sampled By: Brian McKnight, Crazy Love, I Remember You (1995)[audio http://blackloveproject.files.wordpress.com/2013/12/1-03-crazy-love.mp3]For the last two years, I've had this obsession with the musical catalog of Van Morrison; a brilliant singer-songwriter from Belfast, Northern Ireland. I have this tendency to listen to the same album for at least two months. It is the only thing I listen to and the lyrics come to mean more to me on deeper and personal levels. Moondance is no exception.Some of you may know his most famous single, Brown Eyed Girl (1967). (Side Note: It is rumored that the song was originally called Brown Skinned Girl, written about his brown skinned lady). To those who do not know of him, he may appear to be just some obscure white singer. But if you really listen to his music, you'd find a perfect mixture of Irish folk, jazz, blues and soul; with a heavy influence of black artists like Muddy Waters and Ray Charles. His voice has this unique tone, an understated grittiness that rises and falls at the perfect moment, showing a great understanding of every word and rhythm in his song. He's a storyteller and I think that's what I like the most about him. A good amount of his stories are of love, described in great imagery.The third track of the album begins with Van Morrison singing in a beautiful rasp,

I can hear her heart beat from a thousand miles/Yeah, the heavens open every time she smiles/And I when I come to her that's where I belong/Yes, I run into her like a river song

The song is beautiful and simple, telling of a man who loves the woman who loves him. It is the kind of love that is comfortable and passionate. There are lovers who come into your life at the right moment and become the best complement to everything about you. This is the kind of love described in Crazy Love.

Yes, it makes me righteous/Yes it makes me feel whole/Yes, it makes me mellow down in to my soul

My earliest memory of this song is Brian McKnight's 1995 single, done in standard 90s R&B fashion, with syncopated drum machines and velvety vocals. It was a pleasant surprise to discover what I'd always assumed was a song written for McKnight, was a twenty-five year old love story waiting to be retold.Side Note: Van Morrison has a great way with words. His songs are poems set to rhythm and it comes out very organic. Because I love his wording, I want to share with you one of the greatest lyrics I've ever heard. From the title track of his 1968 album, Astral Weeks:

If I ventured in the slipstream/Between the viaducts of your dream/Where immobile steel rims crack/And the ditch in the back road stops/Could you find me?/Would you kiss my eyes?/Lay me down/In silence easy/To be born again

Happy Sunday!